no. 3 in the renowned series dark stars on noir music gives you an even deeper insight into >noirs< weird head and critically acclaimed dj sets as we unleash some of the exclusive and previously unreleased noir edits. but dark stars volume 3 is much more than that. dark stars volume 3 is about the quality of house music. all tracks included have been big tracks for noir in the clubs and we guarantee they ve been tried in tested around the world before they made it to this compilation. we hope you enjoy the collection of quality music as much as we do

no. 3 in the renowned series >dark stars< on noir music gives you an even deeper insight into >noirs< weird head and critically acclaimed dj sets as we unleash some of the exclusive and previously unreleased noir edits. but dark stars volume 3 is much more than that. in short. dark stars volume 3 is about the quality of house music. all tracks included have been big tracks for noir in the clubs and we guarantee they ve been tried in tested around the world before they made it to this compilation. we hope you enjoy the collection of quality music as much as we do

phil kieran has been in the upper echelons of the electronic music game for more than a decade, but is only now releasing his debut album under his own name. known for rocking clubs and releasing a string of killer twelves, belfast-based phil has hooked up with german powerhouse cocoon in recent times. sven väths label is now about to release shh, a groundbreaking piece of work that will undoubtedly gain phil plaudits across the board. shh seems to not only reference every sound phil has ever loved in music, but is formulated in a completely fresh and futuristic way. listen carefully and you can detect elements of dub reggae, old hardcore like lfo, hip-hop, early 90s electronica such as autechre/black dog and other warp staples, as well as the futuristic techno that phil excels in. for the album phil went back to old sound lab recordings dating back to the 1950s and 60s. utilising some of these sounds in the initial construction, he built up tracks using a combination of old samples sourced from original and weird places and some live new instrumentation as well. there are live drums, some electric / acoustic/ bass guitar and live keyboard playing as well as some choice guest vocalists.

full support from the likes of adam beyer, joel mull, paco osuna, and many more!
enemy returns from the summer hiatus with a huge remix package courtesy of tony rohr & par grindvik! tony takes the hypnotic groove and brings it up to the surface, reformed as a bouncey club rocker similar to his output on clink! par grindvik wastes no time as his remix immediately plunges into the depths of the abyss, offering up an equally weird and rewarding listening experience. we would describe it, but it s kind of impossible!

city wasteland comes as a full cd as well as a split in two 12inches including some tracks that are vinyl-exclusives. sebastian lohse a.k.a. break sl from dresden is still quite young, but you can feel that he already defined his own universe of sounds and proper production skills. the second 12inch (city wasteland pt.2) now starts with the track move! which doesnt carry it s name for nothing - this is true-school techno! next, dirtbomb shows some nice edges and has a kinda dark feeling. hovering samples and a raw, dirty feel on the drums gives the whole track a very subtle blues. on the flip break sl enters deepest territory of detroit-influenced techno with weird dancer. the last track here tff is a vinyl-exclusive which delivers intense and acid-like drum layers ... chicago galore! thanks for purchasing a real copy!

redux hit their 9th release with the second offering from the very talented musician/ songwriter known simply as fernando. first appearing on the label with his solid cover of kick in the eye by legendary goth rockers bauhaus. fernando gained instant support from many djs and tastemakers, showing the world that he got the full package when it comes to being a talented recording artist .now hes back again to unleash the first of his original solo material from his forthcoming debut album, guaranteed to be a firm favourite with disco stallions , pump rockers and bearded ladies. scarecrows kicks the e.p off , setting the tone immediately with a rock steady bass groove , crisp synth stabs and catchy vocal snippets (from another famous goth influence) sprinkled on top that will stick in your head for days .bladerunner ups the energy a notch with some lively drums and a beefy bassline sure to shake any waistline (one size fits all). weird trippy textures and surging synth sounds keep it moving and occupy your brain whilst the groove kidnaps your feet and hips on the dancefloor.on remix duty is croatia s leading light and all round nice guy ilija rudiman. taking a slightly different approach for scarecrows, giving the track a deeper, moody feeling but still keeping the essence of the original. subtle pads and acid lines weave in and out as the groove pushes on and draws you closer in, dropping in to the break down and sending you off singing doop doop doop do do. this 12inch clearly showcases some of the freshest talent thats coming through the ranks and will instantly appeal to fans of reverso 68, tensnake and emperor machine to name a few strong examples. if youre feeling this then be sure to keep an eye/ear out for fernandos debut album coming soon on reduxà. this is just a taster

stefan alexis aka somnabulist is a young musician from skopje, macedonia nowadays based in berlin. he is not focused only in one style of music. he experiments with different and weird sounds and dont like to limited his way of felling about music. he reaches from techno, electonica to chill out and ambient. his results you can see in the releases for global underground uk, v.i.m records greece and samuvar ltd germany.

nys underground celebrity, electronic obscurity and rare disco specialist william burnett (aka grackle, aka speculator) delivers an ep that truly defies any categorization and therefore will have a harder time to find its way into the stores usually packed with easily digestible pre-masticated dancefloor stew that comes with filing recommandations. the music on this record evokes images of mad peyote sessions held amidst dry and sandy landscapes. the original desert acid sounds like a jam machines and instruments would do when left on their own, unsupervised by humans. a wobbly and acidey synthline goes on a psychedelic journey with fuzzy guitar riffs, backed by a stompy almost tribal discobeat. düsseldorfs currently most interesting band musiccargo rework the piece into a cinematic krautdisco gem that floats on a loopy vibraphone drone, sprinkled with german and english lyrics. sombrero galaxy (aka cbs/intergalactic fm regular dj tako reyenga and his mysterious uk buddy jonny nash) take the track into cosmic realms (rare occasion where the term really fits) and their version could easily be interpreted as a vangelis tribute. the last track on the ep we are it is a slow 808 jam with druggy and spaced out fuzzy vocals, paired with equally druggy and fuzzy guitars. if you are a filmmaker and you need a song for a weird desert scene youd be an idiot not to consider this one the perfect choice.

four roses recordings deliver another stunning release by sebastian gaiser under the classic flowers moniker. in the past hes been responsible for the mujaba releases and some yet unreleased collaborations with label colleague motor city drum ensemble. whichflower is a fascinating yet strange house groover moving from beep to bleep. using citations from way back, this one is spreading flowers across all sorts of dance floors. aclaime is finally making way for a weird approach towards minimalistic dance music, featuring a group of cimbalom virtuosos recorded on a recent journey through hungaria that makes it sound like a sunday trip to panoramabar. which flower would you be?

two of turbo s rising stars come together to make one of the biggest records of the year. peanuts club has been arguably the hottest track of the summer for heavyweight djs erol alkan, tiga, and a-trak. it s instantly catchy and massively effective, and we ve seen it bring the best out of the crowd night after night, but you probably already know all about it. the real coup here is that cajou club is another absolute bomb, maybe even better than peanuts club, and more disturbing evidence that france has produced yet another two major-league players in dance music. noob s really been hitting his stride lately, following on terrific remixes for brodinski and d.i.m. and tai s lyposuct, his productions getting exponentially bigger with each release. as for brodi, anyone that s seen him play knows he has all the makings of a star, and if he can keep putting out records this good, the sky s the limit! wanting to go beyond double-megahit and attempt quad-bomb status, we commissioned a terrific remix from sound pellegrino s renaissance man. noob & brodi are in love with it, plus they re the only finns out there to have not produced a record for turbo, so it was a perfect fit. the ph 0 remix on the vinyl is, incredibly, an original take on acid, it s loopy and weird, but works like magic.

antislash joins frankie records with a 3 tracker ep titled “vertiges ep” a bunch of quirky sounds and fonky beats …we start with the long side a1 - lendemain de fête (more than 10 min!!)a great shaky tool sounds like an invitation to share their sense of groove warm and bleepy sounds are nicely arranged …definitely a great moment with crazy moments and deeper atmosphere in the 2nd part of the song…simply a wonderfull and powerfull track!…on the flip b1 damn a nice bleepy and crazyness with takt, groove and great arrangements …follows b2 pastis anis combining deeper atmosphere and weird bleepy sounds as antislah knows to do

everyone knows this feeling, when a hook line of a track wont let you go. one says it is a tune wedgie, even if it sounds a bit weird in the clubbing scene. but never you mind, you just start singing out of the blue. olene kadar just hit the bulls eye with >yipyippyip<. this track impresses with an extraordinary addicting ragga vocal and puts on top his breathtaking freaky beat wrapping. one wonders where to put this into a greater content: musical seriousness or simply the fun factor. but in the end people always go crazy, when olene kadar rocks one of the countless parties in holland. the artist playing right after him faces a difficult time. that is what dave aju might have had in mind. his remix heads for another direction. very relaxed and reduced to the bare essentials he slows down the tempo to garnish this fantastic groove with the vocals and e-piano chords. so cool. on the flip you will find the dashing rave monster >neal deepersma<, that brings olene kadars former releases on mos ferry back to mind. on the label website you will get a free bonus download called >looking for an<.

strut present the story of one of the most influential and revered labels emerging from new york in the late >70s and 80s<, ze records. after the late 70s punk and new wave explosion in new york, ze became a by-word for the anything-goes culture clashes that typified the big apple during the early 80s. formed by french art student michel esteban and british journalist michael zilkha, ze quickly created its own unique independent universe, signing artists as varied as alan vegas electronic postpunk pioneers suicide, trash disco queen cristina and maverick producer august darnell a.k.a. kid creole. with estebans sharp graphic eye leading the labels visual identity, ze hit the new york zeitgeist head on and became supremely hip û in 1982, the face magazine nominated it ôthe most fashionable label in the world.the labels early success led to a deal with chris blackwells island records, which gave zes releases worldwide exposure and brought worldwide fame to kid creole, was (not was) and more. over thirty years on and ze remains one of the great cult labels of its time. with this new compilation, strut takes a snapshot of the many weird and wonderful fusions that surfaced on its famous nyc cab-influenced yellow and black label. highlights include one of the earliest outings by was (not was), tell me that im dreaming, a disbelieving commentary on reagan-omics, bob blankÆs short-lived disco supergroup aural exciters and a larry levan mix of kid creoles biting parable about corruption in the caribbean, theres something wrong in paradise. other featured artists include ze label regulars cristina, bill laswells material, kookie french experimentalist lizzy mercier descloux, and camp disco-electro icons, les garcons.

unique and limited as always. here is the third release from the italian duo, the barking dogs. on the logo side, hi-nrg is a disco-infected housey tune, a real floo-killer for the peaktime hour! on the flip side, s.o.s. is a shiny mixture of 80 s raw beats, grovvey basses and weird vocals

eklo 011, his first single on the label, after his famous >close to me< from the hooksey series, boris horel bring us here his idea of modern house music, a real trip in his mind with his wellknown skills, fat groovy beats, weirdy voices and some chemical hooks that bring his art to a high level of creativity and originality. a1, >how do i look like< is an attempt to mix my love for both old school and new school house music. looking for this kind of >95 tunnel< sound and feeling , but with a modern twist on the form and a more summerish vibe. the pitched vocals helps to push the track towards a weird sliding sensation ,adding a catch to the almost liquid bassline. a2, seuil remix, is something more darky and stripped down, full of analog grooves, sub and crunchy basses, he turns the track in something more deep and afterhour feeling… b, paranoia pantomime , the long side, great old school feeling >a la carter<, rolling shinning hats, fat grumbling basses lead the track...add to this some weird effects and some sexy catchy voices, here is the horels reciepe to bring u back some old feelings from your ravy times. essential debut ep for this new eklo artist. essential 12inch

markus schatz and brett longman brilliant combo delivers on frankie rec their so original deep and bleepy melodic techno à.we start with a1-funky bells phat bleepy house cut with warm weird female voices and heady original atmosphereàon a2-crazy bob is a piece of funky techno with distorded melodic synths àon the flip b1-frau jo with french vocals parts and a mental deep atmosphereàvery inspirated track with beautifull arrangements àsounds a great moment of contemplation àand b2-walking drops more straight techy beats with some jazzy incursions and shuffle cut voices àwell to sum up this ep looks like a great journey indeed!

big star arkus p on mario rainieris hard techno imprint. epic breakbeats start the a1 track with a lucious string and uplifting vocals. the beat drops and the crowd is going crazy! follow up on the a side with a dirty grimey hard techno monster with a huge breakdown and noise! the flip starts of with a monster of a kick and filled with all kinds of nasty edits. this is defenitely the hardest track on the ep. second track on the ep is marios own version of hot space. funky beats and a weird vibe that will appeal to the jumping crowd!

1989 classic!! dedicated to the memory of hillel slovak - the founding member/guitarist of the red hot chili peppers!!

keep me in my plane part 2 is the second part of the succesful single including remixes by reverso 68, the kdms (kathy diamond & maximilian skiba), dj kozes hudson river dub and a stunning modernaire rework. a must have! the danish discorockers whomadewho released their second album in march. and who would ever have thought this: now, one month later, they are everywhere: you can see them on covers of music magazines in germany, france and uk. their concerts are sold out and the blogs freak out about the new singles and weird videos. after the first single the plot now here comes the follow up keep me in my plane divided in two parts!

another mouthwatering viper beatz release sees the daylight and this bombshell is guaranteed to devastate the dance floors on a global scale. live a lie a jewel in the typical way only g town madness & the viper can create, breathes brilliance and has not only been receiving heavy dj support from the total top in hardcore such as endymion, nosferatu, tomyknocker, dj panic and evil acitivies, but is also to be found on major compilations like hardcore to the bone xiii, and in qontrol. with its impressive anthem break live a lie brings unity and gets back to that true feeling of hardcore: come as one! envy shows the raw side of these craftsman resulting in an ear piercing, raging, full in your face hardcore track yet without losing any of the true g town madness & the viper feel. the result is a raw hardcore bomb, as probably many would not expect from this magical duo. crazy edits, weird synth patterns and freaked distorted bone shattering kick drums bring a refreshingly different taste within g town madness & the viper releases till date. current dj support by the likes of partyraiser, neophyte, tha playah and outblast. when angerfist heard cliffhanger, he decided to give it an angerfist refix. gtm and the viper were so pleasantly surprised when they heard this, they immediately decided to let everyone enjoy this fine piece of rework. after circulating within the hardcore scene for quite a while also this tune will leave a mark on the hardcore scene as we know it.

apendics.shuffle’s elegance & malice ep has been reworked by two great talent’s the master of minimalism thomas melchior & ransom note’s adultnapper, both artists have expressed there interpretations to the highest order. adultnapper has taken a darker path, raw & steady drums keep you grounded whilst disassembled voices and eary strings make you realize things are going to get weird. there is a constant hook in the background that sounds like the noise of a sleeping monster but as it gets louder you know it’s about to wake and it does, throwing you backwards in a totally different direction. melchior’s remix takes you on a different journey one that you never want to end. lush melodic sound’s and stunning percussion with deep soulful vocals keep growing and growing drawing you ever nearer all the time never letting you go.

keep me in my plane is the follow up to the succesful single the plot, including remixes by dj koze and kasper björke. a downtempo disco track that could remind of early talking headsà but goes much further! tip! the danish discorockers whomadewho released their second album in march. and who would ever have thought this: now, one month later, they are everywhere: you can see them on covers of music magazines in germany, france and uk. their concerts are sold out and the blogs freak out about the new singles and weird videos. after the first single the plot now here comes the follow up keep me in my plane. a downtempo disco track that could remind of early talking heads but goes much further. it got a clear touch of scandinavian pop - but without being cheesy as so much of the music we get from the north. remixes come courtesy of german superstar rmxer dj koze (the first remix after his remix compilation on get physical) and danish upcoming master of new house kasper björke

title track kananana is a searing pop oddity replete with murmurous vocals and swinging guitar licks. it ebbs bit by bit into the mind of the listener, gradually imbuing a weird sense of vacant bliss alongside a swelling emotional charge - this is a new strain of mutated pop genius!

big with: richie hawtin, dubfire, dj hell, mandy, dj t, james what, ralph lawson... well what can we say, two tracks that could not be more different from well know mainz/ germany based artist butch aka bülent gürler. the a side >destruction< is a track that so perfectly fits into the scene of german minimal house, we think it will be eaten up immediately by the dj scene. the flipside track >muskatnuss< is more challenging and made for the advanced djs. this track is weird, funky, housey and more on the side of the new school of house we get nowadays from cecille and similar labels. the track makes use of samples from butchs most sought after sample libaries that include fantastic cartoon sounds he has cut up and arranged rhythmically. a stunning performance!

played by woody & karotte!!! ultrakurt is back! cabanne & glucks amazing cumulated iq of 42 resulted in that deranged, non-smokable, carved plastic plate called >the texas chainsaw massage e.p.<. no cattle, no hat, but chopped beats, barbecue grooves and corn pads à gogo! with these three new funksters on minibar, they go further into this weird house music they are well known for

after respectable releases in the digital realm and on the german labels hardshower, kaufe musik aso. (both played by the big players like dj hell, laurent garnier george morel oder someone else aso.) he has now moved further and adds three brilliant tracks to the afulab catalogue. the driving and tension loaded bango banger opens on the main side with it s shuffling bongos and hands-in-the-air-and-scream frequency shifting sounds. this will surely rock big time and will leave no one unmoved and bored.the second track and the opener of the flipside drug pipe is another thrilling and funnily weird rocker that might be inspired by too much input to the maker ,-) der nougat baer rounds it up and shows that felix bernhardt is a promising new producer who will leave his marks and we are looking forward to hear his new material already

sweet n candy catapults himself back into the arena and the timing could not be better. his intriguing 3-tracker presents the facettes of his contemporary work and he shows once again that he can pack a bag of treats

quantized music is back with its 3rd vinyl release! the athenian - based techno / house label welcomes greek wonder boy, george lemos (cecille, resopal, be chosen etc.) for 2 tracks full of wonderful melodies and intelligent tech house rhythms. >na funky kotes< is a weird melodic cut, with driving beats and the clarinet of george on top, full of uplifting pads and repetitive loops. totally lemos! >some groove< is a funky number with funny bleeps, soulful / jazzy keys and groovy feeling. together comes a remix from berlins new favourite guy, swiss- born, david keno (morris audio, kindisch, keno music) on >na funky kotes<. his approach is more minimal and raw, retaining the core of the original track, being groovy and melodic.

talking about the dawn, who know is better than lexy and nobody is more gifted to transport this feeling into a track. new day dawning a subtile flowing track, perfectly suited to welcome the next morning, again and again and again..the crazy, weird and nuts duck is circleing on the river of minimal straight forward sound, disguised as the psychoduck. watch out for the upcoming remix package of new day dawning, its gonna be huge. lets speak a little bit more about the artist. since lexy moved to berlin 1997 he was getting more and more popular as a dj. today lexy is dj, producer (lexy & k-paul), faschion addicted and a graphical wizard. what he likes best: rock the crowd as you will probably notice when you listen to this tremendous record

brett johnson back on frankie with 3 original tracks perfect floor burner between hypnotic (a1-two cents) weird and freaky (a2-rubber duck) and rollin tech house beats (b1-tick tock) as brett knows to do … perfect mixes combining brett’s different inspirations…on a2-two cents remix by the great napolitean producer massi dl more known for rollin techno beats delivers here a techy more housey mix …solid beats and perfect groove

these days, skat fights with his other personality, oleg the russian housemaster,weapons are big house beat, basses, rhodes, perks, pads, and on eklo skat is banging hard with his da hunterz ep on a side, da hunterz, its the >call of the hunt<, everyone ready to bounce, jungle mumbling, a bass hook which will make u shake, and those crazy horns and trumpets which bring this weird >movie< feeling inside, full of hope and energy, real music!!. defintly a hit for peak time. on b side, wanna come, on this one, our french lover, brings his strings, pianos and rhodes probably for the girls. yeah this one is deep, fresh, moving

weird soundmixture as used to from paddo, and this time a banger is on the way. we even have support from real technoheads like perc or technasia in addition to the usual freiraum-pickers as ricardo & co. this is a must have again!

new kanada enters the year of darkness with two cuts of techno that go straight for the throat. raw house music for mixers, jackers, and people of ill repute everywhere. side a features a slamming remix of murr’s “stay” track by adam marshall. murr’s original moog bassline gets jacked into a dj-friendly mix weapon of the highest calibre. 10+ minutes of erratic hats, swung snares and some weird noises that would do octave one proud. sibe b is a homage to our favourite analog mixer of days gone by - the numark dm1950. mood edit embraces the chaos of chicago house, and the class of new york city in this long playing dub tool that will be sure to evoke fear in the legs - and passion somewhere inbetween. complete with off kilter bassline, counterpoint bump, and a long deep mix for the heads.

supporty by secret cinema, gregor tresher, tim green (dirtybird), joseph capriati, brendon moeller, alex bau. incase takes off in the new year with an amazing release from german based martin woerner with his track zit, an electroid techmonster. weird breaks, rolling grooves. the flipside comes with a remix from italian specialist joseph capriati, so in case you don t like the original which seems to be unlikely however, you surely will dig the remix from joseph with it s detailed structure and floor-ability. again a must have on incase recordings!

along with number 60 in the highgrade catalogue there‘s a new producer team, joining the highgrade posse: markus schatz who scored so far with releases together with tom clark for highgrade and by himself on labels like opossum and freizeitglauben. he worked out this release with brett longman from paris, known from one of france‘s most prolific labels logistic rec. with „dope on plastic“ both start a dub and percussion rollercoaster- ride: the stripped down structure in the beginning unfolds seamlessly to a wildly grooving dub-inferno. similarly funky „push it“ continues this direction: dodgy fm-sounds meet weird synth bleeps plus a whole load of rhythm - the trackname is to be taken literally here! on the flip-side schatz & longman in „running“ are adding some fine dubby ingredients to there rhythm patterns, next exit detroit, one might say. moody without being cheesy, that‘s how we like it. „good vibes“ is zigzagging elegantly, with deep pulsating melodies worked together with an uplifting groove to a fast-paced and atmospheric track.

stephan strube from eastern germany and sven schallers label 6 feet under seems to be a logical connection. known for his experimantal sound mixed up with different styles, he matches perfectly to this label, which is also known for the crazy, stomping, weird techno sounds. the head of high headz records shows us why he is getting more and more in the spotlight of eastern techno music.

thisisnotanexit records was established in 2006 to release wild out there dance music inspired by factory and the legacy of tony wilson as well as contemporaries dfa and output. they came from the stars i saw thems new live favourite moon song taken from their recent album we are all in the gutter but some of us are looking at they came from the stars i saw them comes with a premier set of remixes from serge santiago, holy ghost and mungolian jetset as well as newcomers king of town and weird knights

mercurochrome was born with this new century in the shadow of the cows of jura. created under the initiative of a handful of people with a weird techno and electro fringe background, this label is made of a dozen of artists, producers and djs.

already supported by the bloody bleetroots, will bailey, drop the lime, congorock ... hell yeah starts a new re-issue/remix series called confuzed90s. after the huge critical success of confuzed disco (a retrospective of cult label italian records), label a&r marco peedoo gallerani keep on fumbling into obscure & cheesy italian label catalogues in order to deliver the best re-issues and remixes.: expect weird spaghetti house, nu-disco re-interpretations, nu rave modified anthems and all in between. first chapter is all about sicilian heroes blatta & inesha who tweak and knob 90s techno icon ramirez music as they never have done before: killer freshness with humour. if you remember ramirez, the music, the mad shows you know that all his big tracks and gimmicks are here and those new remixes are set to become a steady 12inch of your record bag for the next months to come. very early support comes from the bloody beetroots, lee mortimer, will bailey ...

king roc on part four of his series: a subtile gentle journey into deep modern tech-house sounds on the emotional tip. very fine produced stuff played by anja schneider / agoria / michel de hey / mr c / brothers vibe just to name a few

bim marx is a edit collaboration between jorge velez aka professor genius and new york dj duane harriot. stronger is their first release and its a great housed up edit of loleatta holloways we re getting stronger, whilst on the flip are two low slung, slo mo jams that are lush. unique is one way to describe it, weird is another. tip!

the highgrade-collective welcomes a new member in its rows, marcus sur, who until now has released one ep on highgrade digital and contributed one track to the >our thing< label-compilation. as-well new on board is the berlin based simon beeston, coming to us from new zealand. it was high time to dedicate a various artists to the newbies, alongside with the old hands tom clark and daniel dreier. marcus surs >gold< heralds the ep hypnotically, simultaneously delivering the proof how perfect his tracks fit into the highgrade label-sound. welcome on vinyl, mr. sur! in the following simon beeston drags us with >idle housewives< into dark echo chambers, teasing with weird sounds, which finally melt together into to a unique groove. label-boss tom clark in alliance with daniel dreier use their >13 cookies< to explore, what happens if you lock two versatile producers like them into one studio. the result is nothing to sneeze at, a massive groove, which keeps three feet on the floor while having the head up in the clouds. adding another facet to this varied ep!

fusing some weird italo-ish vibes together with some unmistakenly drexciyan influences this is a pretty unique release on rh! concepts often bring interesting results and this is no exception.. i think its going to be a real >love it or hate it< record. yurotrago take the track somewhere completely different, stretching it out on a different kind of vision. awesome deep and moody action for the floor. the packaging is awesome for this one

they came from the stars i saw thems new live favourite moon song taken from their recent album “we are all in the gutter but some of us are looking at they came from the stars i saw them” comes with a premier set of remixes from serge santiago, holy ghost and mungolian jetset as well as newcomers king of town and weird knights.

a new essential release from the april77 combo. describing themselves as trash pop, this prolific avant garde indie band is always looking for more weird sonic experiences. what makes the songs different from the rest is that finberg finally found the right accomplices. the current incarnation allows him the perfect balance between the four track seclusion of his bedroom punk and the rough and tumble real world.

already played by troy pierce & magda !! 11am welcomes again one of our favourite afterhour artist, seph from buenos aires (argentina). he offers again one piece of dark and complex musical art. that hooded is the main and most special track on the release. its somekind of break minimal with a fucked up bass and a weird and melancolic melody. its perfect for breaking out a set. arañas opens side b, its the deepest track on the release and offers the typical glitchy sephs style. ivil ends this fantastic record with a funky bass full of clickclakclickclak and all that

early support by: loco dice, martinez,d julz, anthony collins, marco resmann, agnes, jimpster, laurent garnier, konrad black, dean mushin & more rumors say,an early version of mick thammers >sweep< already received support by loco dice and ricardo villalobos.a few years have passed and the final version made it into the hands of sven palzer,who immediately signed the track for his label puzzle traxx,to give it its welldeserved official release!now whether ricardo and dice have played it or not, one thing is for sure,this weird shuffled catchy tune with its hypnotic fm bass line that walks up and down in filters and octaves over 9 minutes is outstanding and got timeless personality!

moody moon e.p ( spagh records) spagh records is an electronic music label which concentrates its energy on techno, house and electro. created in 2005, spagh records wants to follow the way of authenticity and eclectism. after being well received by the public, the first e.p “dozen lives” was notably playlisted by artists such as dave clarke, laurent garnier, dj 3000 and james penninghton. the label spagh records is now releasing its second ep. in this second publication, the label shows another facet of their style angling towards deep techno. the ep, aptly titled “moody moon” and produced by hip-j, is a surprising and bewitching creation that draws the listener in for an aural expedition with every play, plunging to the heart of techno, weird and hazy, as melodic as it is stirring. his latest e.p has already received good feedbacks and is now being played by dj chloé (kill the dj) and toni vokado (electric avenue, kodiara records).